Rhys Himsworth - From Alienation to Autonomy
‘From Alienation to Autonomy’ is a drawing machine made from redundant ink jet printer components, that creates a drawing based from ‘youtube’ footage of a single bird in flight. Software tracks the movements of the bird, creating a continual line that is outputted and repeated over and over by the drawing machine.
Rhys Himsworth - From Alienation to Autonomy
‘From Alienation to Autonomy’ is a drawing machine made from redundant ink jet printer components, that creates a drawing based from ‘youtube’ footage of a single bird in flight. Software tracks the movements of the bird, creating a continual line that is outputted and repeated over and over by the drawing machine.
Interior with Book, Richard Diebenkorn
Sea Series by Byung-Hun Min, 2010
What we are looking at is distant scenery. There are two meanings to ‘being distant.’ One describes a distance as being out of sight, the other as an extinction of sight because of it. The reason for keeping a distant view is because of not being allowed, being unavailable, or being seen only from a distance. The photo indicates empty space instead of the subject itself.
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Also
Barn on the Delaware River.
(Source: petit-poids, via awakyn)
Willem de Kooning in his East Hampton studio working on a ‘woman’ patining
(via andwhatdoyousee)
and what
I remember best is that
the door to your room was
the door to mine.
I remember best is that
the door to your room was
the door to mine.
– Anne Sexton, I Remember (via rabid-glow)
(Source: theburnthatkeepseverything, via rabid-glow)
…what stirs literature is the call and attraction of what is not in the dictionary.
– Italo Calvino (via bookporn)
(Source: asymptotejournal, via cinemaissatanschurch)
Had a studio visit today with Sonja Thomsen, Columbia College Chicago’s Digital Artist-in-Residence. She has a lot of good, smart things ruminating over there.
I stole this photo of one of her newest works from her blog.
